There is something in the human spirit—something primal yet profound—that softens at the sight of beauty. It's innate. We are born with an inbuilt sense of aesthetics, a compass of admiration that turns instinctively toward the sublime. This, perhaps, is the root of our tendency to objectify—because beauty, in its purest form, arrests us. Our pupils dilate upon encountering it, whether it's the golden glow of a setting sun, the melancholic hush of a rainy afternoon, the iridescent dance of colour in an April garden, or the dizzying grace of a beautiful woman. The response is often the same: awe, stillness, and a quiet surrender.
But beauty, by its very nature, is transient—ephemeral and evanescent. Perhaps this is its most haunting reality: a constant reminder of life's vanity and the fleeting essence of all things. The Japanese concept of mono no aware captures this sentiment, emphasizing the bittersweet awareness of impermanence and the gentle sadness that accompanies the passing of beauty.
Consider the cherry blossoms (sakura)—their brief bloom is celebrated precisely because it is short-lived, symbolizing the transient nature of life and beauty. This perspective invites us to cherish beauty not despite its impermanence, but because of it.
There are two types of beauty. One is visceral—physical, corporeal, and palpable. This is the beauty that appeals to our sense of sight and is often the most commonly referenced definition. It bewilders, confuses, and confounds; it also evokes desire. Under this category falls the beauty of a woman. Undoubtedly, this form of beauty speaks of vanity and is subject to the physical ravages of time, the elements, and entropy. It is affected by both qualitative and quantitative depreciation.
Yet, in contemporary culture, nothing captivates like physical beauty. First because it is immediately perceptible and requires minimal effort to register. It often manifests in conspicuous displays of wealth—grand palaces, luxury cars, and designer labels—that function as status symbols underpinned by Veblen’s idea of conspicuous consumption. Yet this flashy beauty is fleeting and illusory, capable of enslaving desire and leaving historical scars—from the poisoned cosmetics of Empress Elisabeth of Austria to the hubris-driven downfalls of legendary figures like Odysseus.
But there is yet another type of beauty—understated, melancholic, contemplative, and reflective. This is the kind of beauty that isn't immediately visible to the eye and may be lost to the undiscerning and uninitiated. It requires a second thought, a second look, and a contemplative gaze. It is more to be felt than seen, and for those who have experienced it, it brings fulfillment and contentment.
Imagine a quiet evening in the woods by the riverside, a book in hand, the chirping of birds, and a crack of sunlight penetrating the shades. This scene embodies the Japanese aesthetic of wabi-sabi, which finds beauty in imperfection and impermanence, appreciating the natural cycle of growth and decay.
This form of beauty invites introspection and a deeper connection with the world around us. It is not about grand displays but about the subtle moments that stir the soul and evoke a sense of peace and belonging.
Unlike the other type of beauty that functions like a drug—numbing our consciousness and feeding us the illusion of an unchanging, undying world—this deeper beauty presents life as it truly is, and humans as we are: stark and unadorned. It is a beauty that doesn't clamor for attention but instead invites introspection and authenticity.
A person attuned to inner beauty doesn't value the transient vanities of life. They don't chase fleeting trends or idolize superficial appearances. Instead, they perceive such pursuits as hollow, recognizing the impermanence and fluidity of external allure.
In embracing this contemplative beauty, one finds fulfillment not in the ever-changing external world but in the consistent and profound depths of character, wisdom, and authenticity.
In the end, beauty is a shadow—flickering, elusive, and forever slipping through our grasp. The radiant allure of youth and adornment dazzles and deceives, like a candle flame that burns brightest just before it dies. We chase it, worship it, and are consumed by it, only to find that it leaves us colder than before.
But the other beauty—the quiet, unspoken kind—whispers truths we often ignore. It is the beauty of a weathered face, a silent gaze, a soul that has known loss, suffering, hurt and pain and still chooses to love. It does not shout; it simply is. And in its presence, we are reminded of what truly matters.
Perhaps this is the cruel irony: we spend our lives chasing a beauty that fades, only to find that the one we overlooked was the one that would have saved us.
By Teslim Oyetunji
“Beauty is a fragile gift" Ovid
“Beauty is not in the face; beauty is a light in the heart.” – Kahlil Gibran
“Outer beauty is transient, but the inner beauty of a kind heart gets brighter with time.” – Debasish Mridha
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